Three Months is such a sweet, touching little film that I wish the script didn’t make the hero, Caleb (Troye Sivan), ride around solo on a tandem bike.
Sure, the thing has sentimental value (it belonged to Caleb’s late father), it comes in handy to the plot now and then (in a ‘hey, I have an extra seat in case you need a lift,’ or ‘oops sorry, there’s three of us and only two seats’ sort of way), and it doesn’t even look like it’s that much harder than riding a normal bike.
I understand that Caleb’s attachment to the bike is symbolic of his grief and longing for connection. However, its presence as a plot device may appear forced, like a crutch used to define Caleb’s character rather than letting his actions and dialogue naturally reveal his personality.
A movie can be, and this one otherwise is, original and spontaneous without making its main character look dumb or crazy, neither of which Caleb is. As a matter of fact, he more often than not comes across as a very intelligent young man — so much so, indeed, that it’s hard to justify his preferred mode of transportation. Perhaps a different, less cumbersome symbol could have been used to convey his individuality without resorting to such an extreme visual metaphor.
Caleb certainly makes other questionable choices, but these stem more from a careful observation of human nature than from the plot’s requirements. Fortunately, Three Months is, more so than the destination, about the journey — even if part of said journey takes place on “a gay two-man bike.”
It’s a trip that seemingly starts out as a queer version of Clerks but will eventually distinguish itself through a knack for the unexpected. There is romance in it, and some of the most moving moments involve Caleb’s tentative, puppy-love relationship with the popcorn-loving Estha (the popcorn thing is also gimmicky, though nowhere near as much as the tandem bike), but it’s not a romantic comedy.
Similarly, the action initially focuses on Caleb waiting for a future revelation, but the culmination of the titular three-month period sees his anticipation giving way to the profound wisdom he acquires through his experiences, underscoring the transformative nature of his personal growth.
The story is primarily driven by Caleb’s character development and evolution throughout the film. His interactions with his friends are genuine and heartfelt, adding depth to the plot and showcasing his loyalty and compassion. Despite his unconventional choices, Caleb’s character remains relatable and endearing throughout.
In the end, Three Months is a surprisingly deep, emotionally resonating coming-of-age story that explores themes of self-discovery, acceptance, and the complexities of human connection. The film’s unique blend of humor and heart makes it a refreshing addition to the LGBTQ+ cinema landscape.
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